A Good Cause: The Voice Project

One of the amazing things about music is its ability to bridge gaps and unite people for a common, peaceful purpose.  All too often, when confronted with the great injustices of the world, we find ourselves thinking: “Hey, I’m just one person.  What can I do?”

Well, the Voice Project believes that one voice can make a real difference.  Here’s a bit about the mission:

A peace movement is an incredible thing, people coming together, mobilizing like an army, and in this case armed not with guns but with songs and something more powerful than than any bullet; compassion, the strength of human will, and determination.

For over two decades war has ravaged Northern Uganda. It is Africa’s longest running conflict and it has spread to Southern Sudan and Eastern Congo. Joseph Kony’s LRA has made abducting children and forcing them to fight his chief weapon of war, even making them kill their friends and family members. Many abductees and former soldiers escape but hide in the bush, afraid to return home because of reprisals for the atrocities they were forced to commit.

The women of Northern Uganda – widows, rape survivors, and former abductees have been banding together in groups to support each other and those orphaned by the war and diseases so prevalent in the IDP (Internally Displaced Persons) camps. And they are singing songs. The lyrics let the former soldiers know that they are forgiven and that they should come home. The songs are passed by radio and word of mouth out into the bush, as far as the Sudan and DR Congo. And it’s working. Former LRA are returning and for the first time 24 years the region has a chance at real peace.

The Voice Project is an attempt to support these incredible women and the peace movement in Uganda, and an effort to see how far a voice can carry. And although we are a non-profit, we don’t see what we do as charity, but rather a partnership and an exchange of value. The strength, the message, and the art of these women and their peace movement can benefit the world, and in return we can help spread their message as well as help provide them with basic necessities and the tools to sustain their efforts and themselves. We have two main goals, to AMPLIFY the message in their songs in order to support the peace movement, and to assist them in their efforts to EMPOWER themselves economically in order to better their lives, create real social change, and to sustain peace. Please join us and be a link in this incredible chain that the women have started, help spread the word or donate to the cause.

Music and word of mouth, it can end wars, it can change the world. These incredible women have shown us that. Pass it on.

They’ve worked hard to further efforts to rehabilitate child soldiers, and to bring vocational training to these war-torn parts of Africa.  They’ve also assembled musicians who have raised their voices in support of this cause.  Why not check them out at twitter and facebook, and on their own site, and then follow me for a couple of great videos:

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Au Revoir Simone – Daytrotter Session

Readers of this site might notice that I mention Au Revoir Simone now and again (and again).  They might also notice that I love me some Daytrotter.  Imagine, therefore, my immense pleasure at bringing you the news that Au Revoir Simone stopped by Daytrotter for a second session (the first one’s here), and that it’s ready for your listening pleasure.  This time, the tracks are all from their most recent album: Still Night, Still Light.  The performances feature the band’s playful vivacity, and capture the off-the-cuff feel they bring to their concert performances. Just the thing to get your Spring moving in the right direction…

So, head on over and have a listen.  You can also download the tracks for free.  I’ve put one after the cut – along with some other treats – to get you started.  Enjoy!

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Sonya Cotton: Red River

Sonya Cotton is a San-Francisco based singer-songwriter with a beautiful voice, and a singular vision, who describes her work in this way:

Sonya’s compositions are deeply personal, drawing upon her dreams, family, and love; they often come from a place of profound reverence for the natural world and the creatures of the earth.  In singing about wild spaces (rivers, woods, mountains,) and the animals that inhabit them, she hopes to bring herself and others in touch with the sacredness of these spaces, and to contemplate and critique our culture’s compulsion to exploit and destroy these creatures and spaces.

The music is right in my comfort zone – eliciting memories of Joanna Newsom, Laura Gibson, Fleet Foxes, and even Joan Baez.  On Red River, a showcase of San Franciscan talents – “…including Ezra Lipp (drums; Sean Hayes, Thao and the Get Down Stay Down, Stitchcraft) Joey Chang (cello, Cello Joe) and Wayne Van Lieu (french horn, Monterey, Marin, and Napa Valley Symphonies)” – produces deep, languid arrangements of folk and Americana.  Sonya’s tenderness and reverence for the world around her really shine on “Red River,” which has a gentleness that I find mesmerizing.  But perhaps most intriguing of all is the way in which this music feels old.  Old in a sense that it plumbs the deeper corners of the soul, and finds sparkling gems of natural beauty and humanity amidst the dark.

So, if you’re in the mood for a little reflection, or if you need a bit of quiet, go ahead and follow me:

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Now Playing: April 1st, 2010

Yeah, so, Milli Vanilli really happened.  What can I say?  I was young, and naive… sigh.  To help clean your brain from that last post, it’s time, once again, to share a little bit of what I’ve been listening to over the past couple of weeks.  It’s been another great period of exploration for me, and I’ve been working hard to share things with you each day.  I’ve decided that the site works best on a Monday to Friday schedule, and I hope that you’ve found it satisfying.  Also, I hope that you’ve had a chance to try the new music player.  If not, it’s over on top of the sidebar.   Let me know what you think, ok?  (Couldn’t hurt…)

So, yeah, lots of wonderful folk and indie rock to share with you, as well as a couple of classic gems.  So, why not follow me, and we’ll get started?

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Legends: Milli Vanilli

In 1989, three years before grunge, music was running out of steam.  Metal had already donned its leather jacket and water-skis, and was quickly accelerating towards its eventual, absurd end in 1992’s “November Rain.”  Madonna – now a shadow of her former self – was trotting out tired, almost-entirely-unnoticed-by-everyone fare like “Like a Prayer,” and, worst of all, society was left to the mercy of the Fine Young Cannibals.  In our darkest hour, we needed a hero.

We got two.

Fab Morvan and Rob Pilatus, known to us mere mortals as Milli Vanilli, broke through the tedium of songs like Poison’s “Every Rose Has Its Thorn” (judging from the opening sigh, it’s even bored with itself!),  Bobby Brown’s “My Prerogative,” and Debbie Gibson’s awkward commercial for Sears Portraits/Yearbook Photos: “Lost in your Eyes.”  Milli Vanilli brought something we’d never heard before: Awesome.

You could easily forget Dylan.  Forget Springsteen.  Forget Falco.  But who can forget where they were when they first heard “Girl You Know it’s True?”  For my part, it was the bus on the way to my fifth grade classroom.  Those electronic drums!  The disembodied, fuzzy voice in the background!  The keyboards!  Nothing had sounded like this before… and let’s not forget that rapping.  You know, we often look at Vanilla Ice as being the Brian Wilson of white rappers…a distant genius figure that inspires numerous copycats, but none who can ever really scale those heights.  But I think it’s fair to say that even Vanilla could never hold a candle to Rob and Fab.  Of course, that kind of talent draws haters like a magnet, and Vanilla eventually decided – like Prince – to keep all the awesome locked safely in his vault.

And so it went for Milli Vanilli.  After winning Best New Artist at the 1990 Grammy Awards, they found themselves accused of lip-syncing their way through performances.  Evidently, people had never heard of “saving it for eternity” (in the form of records and cassingles).  If they had gone out there every night and just poured it on, we’d never have had any of their excellent follow-up albums.   (Oh, wait, we didn’t get those because people are jackals) But people want what they want, and, so, when “Girl” skipped one evening while they were performing… well, that was it.  Their detractors poured it on.  They were forced to give back their awards.  Unable to defend their work because of a language barrier, Milli Vanilli were victims of the greatest miscarriage of justice since the Warren Commission.

Much like Mozart, Rob was taken from us far too early.  And now, years after that tantalizing first album, Fab continues to carry the torch for all those geniuses who still labor in unsung obscurity.  And, of course, for you girl…

Take it all in here:

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